Programme Notes: “A Farewell to Mr Handel’s organ”

The Handel Friends
St George’s Hanover Square
Tuesday 25 April 2023

A Farewell to Mr Handel’s organ”
A Handel recital on the 1998 Goetze & Gwynn chamber organ
and the 2012 Richards Fowkes & Co organ

Andrew Benson-Wilson

Allemande – Courante – Air and Variations
(HWV 428, from Suite in D minor, Eight Great Suites, 1720)

A Voluntary on a Flight of Angels
(HWV 600, ‘Ten Tunes for Clay’s Musical Clock’, c1735)
Fugue in A minor
(HWV 609, ‘Six Fugues or Voluntarys for the Organ’, 1735)
Menuet
(HWV 350, ‘The Celebrated Water Musick Set for the Harpsicord’, 1743)

Organ Concerto VI in G minor
Largo e Affettuoso – A tempo Giusto – Musette – Allegro – Allegro
(HWV 300, Second Set of Six Concertos, c1740)

* * *
Voluntary III Slow – Cornet
Voluntary V Largo – Trumpet & Echo
(From Twelve Voluntaries, 1776)

Organ Concerto in G in Alexander’s Feast
Larghetto – Allegro – Adagio – Andante
(HWV 289, Opus 4/1, 1738)

Chaconne in G
(HWV 435, Eight Great Suites, 1720)


The Goetze & Gwynn chamber organ was commissioned by the Handel House Trust. It is based on a larger surviving 1749 organ that Thomas Parker built for Charles Jennens, the Messiah librettist, with a specification suggested by Handel. It was intended for the Handel House Museum but was too large for the space available at the time. It has since lived in St George’s Hanover Square. As part of the Hallelujah Project of what is now known as the Handel & Hendrix in London, the organ will move into Handel House in May. In the first half of this recital, we explore how Handel’s music might have been played at the time on a chamber organ, as revealed by 18th-century publications of his keyboard music.

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A farewell to Mr Handel’s organ

The Handel Friends
“A farewell to Mr Handel’s organ
A recital on the Handel chamber organ
before its move to The Handel House Museum
Andrew Benson-Wilson
St George’s, Hanover Square, Tuesday 25 April 2023, 7pm

The Handel chamber organ was made in 1998 by Goetze & Gwynn for the Handel House Trust. They opened the Handel House Museum in 2001 in Handel’s own house at 25 Brook Street, his home for the last 36 years of his life. As the Handel organ was too large for the limited space available at the time, it has lived in St George’s Hanover Square, Handel’s nearby parish church. As part of the Hallelujah Project, which will enlarge the space of the museum and add the flat next door where Jimi Hendrix lived in the 1960s, the chamber organ is being moved into Handel House in May. The organ is based on the chamber organs of Richard Bridge and Thomas Parker, who built the organ which belonged to Charles Jennens, the librettist of Messiah, which still exists close to its original condition.

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Chorus vel Organa: Music from the Lost Palace of Westminster

Chorus vel Organa
Music from the Lost Palace of Westminster
Choir of Gonville & Caius College, Cambridge,
Delphian DCD34158. 66’56

Geoffrey Webber, director, Magnus Williamson, organ

Anon c1519: Processional: Sancte Dei pretiose; Ludford: Missa Lapidaverunt Stephanum (Gloria & Agnus Dei), Lady Mass Cycle (Agnus Dei, Alleluia – Salve Virgo, Gloria, Kyrie, Laetabundus); Cornysh Magnificat; Sheppard Hymn: Sancte Dei pretiose; Anon c1530: Offertory: Felix namque.

Anybody who has visited the Houses of Parliament in Westminster will probably have entered by the St Stephen’s entrance and walked through St Stephen’s Hall towards the famous ‘Lobby’, all built around 1850 to the design of Charles Barry. Most will not realise the significance of the St Stephen’s name, or what lies hidden beneath their feet. St Stephen’s Hall is the site of the mediaeval Royal Chapel of St Stephen’s, originally a private chapel for the King and his family and only accessible from the Royal Palace of Westminster. Barry’s sumptuous ceremonial hall was built on top of the surviving undercroft of the Royal Chapel, now known as St Mary Undercroft. The chapel was first mentioned in 1184, and was rebuilt by Edward I around 1292, a project that lasted many years. It was raised to the status of a college by Edward III in 1348, and developed an outstanding tradition of music which lasted until the dissolution in 1548 when it became the first meeting place of the English House of Commons, until 1854. Many of the current parliamentary traditions stem from these Continue reading