Fortuna desperata: Gothic and Renaissance Organ Music

Fortuna desperata: Gothic and Renaissance Organ Music
Daniel Beilschmidt
University Church of St Paul, Leipzig
Genuin GEN17453. 77’22

I have been a regular visitor for Leipzig over many years, and was always fascinated by the ever-changing landscape of the city, not least in the construction of the striking new university buildings on the Augustusplatz (pictured). This includes the Paulinum, the combined assembly hall and university church, built on the site of the old St Paul’s University church which was controversely blown up in 1968 by the city’s then communist authorities. As well as a large multi-purpose organ at the liturgical ‘west-end’, there is to one side of the chancel a swallow’s-nest organ that will ultimately be based on the late Gothic/early Renaissance instrument later described by Michael Praetorius in his 1619 Syntagma Musicum. In its currently incomplete state, it reflects a late 15th-century Gothic ‘blockwerk’ organ, allowing for performance of an important but little known repertoire that forms the foundation of all later organ music.

Continue reading

Senza Basso — Auf dem Weg zu Bach

Senza Basso — Auf dem Weg zu Bach
Music by Baltzar, Matteis, Westhoff, Torelli, Corelli,

Vilsmayr, Pisendel, Purcell and Biber
Nadja Zwiener, Violin

Genuin GEN 21728. 65’57

Well known in the UK as the leader of The English Concert and in Germany as leader of the Bachakademie Stuttgart, Senza Basso — Auf dem Weg zu Bach (Without bass — on the way to Bach) is violinist Nadja Zwiener‘s first solo CD. It explores a fascinating genre of music for solo violin preceding Bach’s famous 1720 Six Sonatas and Partitas for solo violin. In his programme essay ‘Melodic polyphony, polyphonic melody – composing senza basso in the Baroque era’, Michael Maul points out the challenges of composing, playing and listening to music with a normal bass line, describing it as “an art of omission and of sensing the unplayed”.

Continue reading