XII Fantasie per il Flauto senza Basso

XII Fantasie per il Flauto senza Basso
Tabea Debus, recorders
TYXart XA18105.  79’51

XXIV Fantasie per il Flauto - Tabea Debus

Telemann’s 12 Fantasias for solo Flute paired with pieces commissioned by the City Music Foundation from the 12 contemporary composers: Leo Chadburn, Ronald Corp, Moritz Eggert, Arne Gieshoff, Dani Howard, Oliver Leith, Colin Matthews, Fumiko Miyachi, Misha Mullov-Abbado, Alastair Penman, Max de Wardener and Frank Zabel.

There is more than enough classical music around to keep performers happy for hundreds of years to come, but without new composers and compositions, music as a creative art form will die. So this recording from recorder player Tabea Debus is particularly important. In conjunction with the City Music Foundation, she commissioned 12 contemporary composers to write companion pieces to Telemann’s 12 Fantasies, originally written for solo flute, but here performed very effectively on a range of different recorders. I reviewed some of the new pieces during a Baroque at the Edge festival earlier this year (see here), but this CD brings them all together in a fascinating sequence of Telemann and contemporary takes on Telemann. Some of the new pieces follow the relevant Telemann Fantasias, some introduce them – and some are interspersed within the Telemann movements.  Continue reading

Baroque at the Edge

Baroque at the Edge Festival
LSO St Lukes & St James Clerkenwell. 6 January 2018

IMG_20180106_150750319_BURST000_COVER_TOP.jpg
With a headline of “Imagine if Bach was a jazzman, Vivaldi a folk-fiddler, or Handel a minimalist…”, the new Baroque at the Edge festival launched itself onto the London musical scene. Headed up by Lindsay Kemp and Lucy Bending (the pair who for many years ran the London Festival of Baroque Music and its predecessor the Lufthansa Festival), the festival invited musicians from the classical, jazz, and folk world to “take the music of the Baroque and see where it leads”. They promised “No rules, no programme notes, no lectures: all you need to know is how to listen”. The Baroque at the Edge title was also given to the May 2017 LFBM festival, the last to be directed by Lindsay Kemp and managed by Lucy Bending – a nice link to their then unannounced new festival. The Baroque at the Edge festival included six concerts and a family event, spread over a three day weekend. After an opening Friday night piano recital, the Saturday (6 January) featured four events, starting with a lunchtime concert in the impressive late Georgian church of St James, Clerkenwell.

Continue reading