Prom 6: Rite of Spring

Prom 6. Igor Stravinsky: The Rite of Spring
Orchestra of the Royal Academy of Music and the Juilliard School
James Ehnes, Edward Gardner
Royal Albert Hall, 19 July 2019

Anna Thorvaldsdottir: Metacosmos
Benjamin Britten: Violin Concerto
Igor Stravinsky: The Rite of Spring

As a companion to the First Night’s offering of Janáček’s 1927 Glagolitic Mass (revied here)the BBC Prom 6 moved back 15 years to Stravinsky’s Rite of Spring, both monuments to the development of 20th-century classical music. It was performed by the joint orchestras of the Orchestra of the Royal Academy of Music and New York’s Juilliard School a partnership that I first heard playing Bach in the 2015 Leipzig Bachfest. The violin soloist James Ehnes was a Julliard student, and conductor Edward Gardner was a student at the RAM.  

The opened with the UK premiere of Metacosmos by the Icelandic composer, Anna Thorvaldsdottir. After studies in America, she is now resident in London and is composer-in-residence with the Royal Academy of Musi and the Iceland Symphony Orchestra. Metacosmos was commissioned by the New York Philharmonic Society. The composers’ programme note describes the piece as “constructed around the natural balance between beauty and chaos – how elements can come together in (seemingly) utter chaos to create a unified, structured whole. The idea and inspiration behind the piece, which is connected as much to the human experience as to the universe, is the speculative metaphor of falling into a black hole – the unknown – with endless constellations and layers of opposing forces connecting and communicating with each other, expanding and contracting, projecting a struggle for power as the different sources pull on you and you realize that you are being drawn into a force that is beyond your control”. Continue reading

ENO: Tristan and Isolde

Tristan and Isolde
English National Opera
Coliseum. 22 June 2016

On the eve of the EU in-out referendum, it seemed appropriate to see English National Opera’s take on Wagner’s Tristan and Isolde in which, in a post-Brexit world, Tristan fails to get the correct Visa to land in Ireland and is further delayed by his attempts at getting a Visa to allow Isolde to travel back with him to Cornwall, and then by having to negotiate a new formal trade agreement for transferring Princesses between an EU state and the ex-EU Cornish republic. The collapse of the cooperative EU policing and health agreements means drugged-drink crime goes unpunished and everybody dies in the end.

Or something like that. Continue reading