Oxford early music day

Oxford early music day
Continuo Foundation & Oxford Festival of the Arts,
Linarol Consort of Viols, Bellot Ensemble, Sir Nicholas Kenyon
Grove Auditorium, Magdalen College. 12 July 2025


As part of the Oxford Festival of the Arts, the Continuo Foundation promoted an Early Music Day, or more accurately, an afternoon, in the nether regions of Magdalen College. The three events included two concerts, contrasting more established musicians with a recently formed group, both recipients of Continuo Foundation grants, and concluded with a talk by Sir Nicholas Kenyon exploring “A Century of Revolution in Musical Taste”.

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Irlandiani: Smock Alley

Irlandiani: Smock Alley
CD launch concert: Sands Music Room, Rotherhithe, Thursday 14 September 2023
Carina Drury & Poppy Walshaw, cellos, John-Henry Baker, violone, percussion
CD: First Hand Records, FHR144
plus Nathaniel Mander, harpsichord, Eimear McGeown, Irish flute


Following her earlier CD, Irlandiani (reviewed here) comes this latest recording from cellist Carina Drury and her collective group, also called Irlandiani. It is based on the musical life in and around the Smock Alley Theatre in 18th century Dublin. It features cello duos in the Galant style by the Neapolitan composer Tomasso Giordani who moved to Dublin in 1763 as musical director at the Smock Alley Theatre. As well as arrangements of 18th-century Irish melodies by musicians linked with the Smock Alley Theatre and its surrounds, the launch concert and recording also features music by Roseingrave, Scarlatti and Geminiani and a new piece by Carina Drury based on the Irish air Caoineadh Na Dtri Muire. If you are quick and live close enough, you can even catch the third of the laun

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Secret Byrd: An Immersive Staged Mass

Secret Byrd
An Immersive Staged Mass on the 400th anniversary of William Byrd

The Gesualdo Six with Fretwork
Bill Barclay, Concert Theatre Works
St Martin-in-the-Fields crypt, 27 January 2023


In celebration of the 400th anniversary of William Byrd, The Gesualdo Six combined with the viol consort Fretwork for a theatrical recreation of a secret Catholic Mass with Byrd’s Mass for 5 Voices performed, as he intended, for a secret act of private domestic worship. It was directed by Bill Barclay, produced by Concert Theatre Works, and supported by The Continuo Foundation. The premiere performances were held in the splendidly restored crypt of London’s St Martin in the Fields.

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Amavi: works by Michael East

Amavi
Fantasias, verse anthems and vocal works by Michael East
Chelys Consort of Viols and Fieri Consort
St Gabriel’s Church, Pimlico. 17 March 2022

With the financial support of the Continuo Foundation, the Chelys Consort of Viols and Fieri Consort gave a concert of music by the little-known English composer, Michael East (c1580–1648, aka, Easte, Est, Este). This was part of a short UK tour of the programme, and was preceded by a reception for Continuo Foundation supporters during which members of the two groups explained the programme and described the instruments. After a Cambridge Univesity music degree and a few years in the choir of Ely Cathedral, East moved west to spend the rest of his career as choirmaster at Lichfield Cathedral. He published seven groups of compositions, including the Fantasias for five viols performed here. They are unusual in that each of them has a name, ranging from Desperavi (I despaired) to Amavi (I loved) via Vixi (I lived) and Triumphavi (I triumphed). For this concert, they were interspersed with vocal pieces by East that reflected the mood of each Fantasia.

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Continuo Foundation: 2021 projects

Continuo Foundation
A video resume of eight of the 2021 grant-aided projects

Ensemble Hesperi perform with Soprano Angela Hicks

The Continuo Foundation (reviewed here) has published a whistle-stop video tour of eight of the 37 projects that were supported by their 2021 grants, with short extracts from the full concerts all of which were live-streamed on the OnJam platform. Tickets to watch the full films can be purchased until the end of January 2022 (links below). The ensembles featured are Joglaresa, The Mozartists, Ensemble Hesperi (pictured above), Boxwood & Brass, Consone Quartet, Palisander, Spiritato Baroque & The Marian Consort, and La Nuova Musica.

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Continuo Foundation – update

Continuo Foundation
“Preserving historical performance in the UK

The Continuo Foundation was founded earlier this year, and was soon granted charitable status by the UK Charities Commission. Their Mission is “To support a flourishing historical performance sector, sustaining the careers of its virtuosic freelance musicians, creating opportunities for the next generation of artists entering the field and widening access to performances for communities across the UK“.  They realised that, without support, the once-thriving UK historical performance sector could be permanently damaged by Covid restrictions. To that, I would add the devastating effect of a badly-negotiated Brexit deal that seems to have ignored the vital importance to musicians of easy travel within Europe. Their immediate aim was to help period instrument ensembles to remain active by developing Covid-safe projects as a way of creating employment for musicians. Their longer term aim is to “provide a new resource for connecting ensembles, musicians, audiences, and venues in order to grow the UK’s historical performance sector and preserve its celebrated tradition of excellence“. 

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Ensemble Hesperi: From Caledonia to the Capital!

From Caledonia to the Capital!
Chamber music and song by Scottish eighteenth-century composers
Ensemble Hesperi, Angela Hicks, Rory Carver
St Mary Le Bow Church, 17 September 2021

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Financial support from the Continuo Foundation allowed Ensemble Hesperi to increase their usual line up of four instrumentalists for this concert of music by 18th-century Scottish composers. Their funding also allowed the concert to be filmed for later release. Their programme was based on the composer James Oswald, known as the “Scottish Orpheus”. He was born in Fife in 1710 and was a musician and dancing master in Dunfermline before spending time in Edinburgh. He left Scotland for London in 1741 where he published several collections of Scottish tunes. He become Chamber Composer to George III and spent the last few years his life in Knebworth House, having married the widow of the Lytton owner.

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Music at the Tower: Bach for Good

Bach for Good
Music at the Tower
St Mary’s Tower, Hornsey
21 August 2021

Music at the Tower was founded in the summer of 2020 by soprano Mary Bevan MBE and cellist Jonny Byers to provide much needed employment for freelance musicians in and around London whose livelihoods had evaporated during the Covid-19 pandemic. During the summer of 2020, they employed 128 musicians and other performers in a total of 11 outdoor performances at St Mary’s Tower in Hornsey. Their most recent project was the free Bach for Good festival of Baroque music, held on Saturday 21 August at St Mary’s Tower.

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