OAE: The Six Brandenburgs

J S Bach: The Six Brandenburg Concertos
Orchestra of the Age of Enlightenment

The Anvil, Basingstoke. 12 November 2024


Performing all six of Bach’s Brandenburg Concertos in a single concert is a relatively rare occurrence, so this was a very welcome event in Basingstoke’s Anvil concert hall, a favourite venue for the Orchestra of the Age of Enlightenment, one of the Anvil’s Associate Orchestras. One of the problems of playing all six concertos is the logistics of gathering so many instrumentalists together, with several only needed for one piece. Another is the length, on this occasion lasting from 7.30 until nearly 10pm. Although the programme suggested the concertos would be played in their numbered order, the Orchestra of the Age of Enlightenment performed them in the sensible order of 1, 3, 5 + 4, 6, 2, as they did in their St John’s, Smith Square concert in 2017, reviewed here. This order provides some key contrast, and saves the most powerful concerto to the end, made more dramatic by following two more intimate concertos.

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York Early Music Festival

York Early Music Festival
Innovation: the Shock of the New!
10-12 July

My principal reason for going to York was to review the biennial York Early Music International Young Artists Competition which took place over the last three days of the annual York Early Music Festival. The Festival lasted from 5 to 13 July and was given under the banner of Innovation: the Shock of the New! taking inspiration from the 500th anniversary of Leonardo da Vinci. Alongside talks and community events were a range of concerts, mostly from York-connected and UK ensembles, but with welcome continental visitors including Concerto de Margherita, one of the EEEmerging groups, fortepianist Andreas Staier, the Italian/Jewish Ensemble Lucidarium, and the distinguished Belgian consort Vox Luminis. I was able to attend the last four of the Festival concerts, together with the three days of the Competition.

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