Boreas Quartett Bremen

Laus Polyphoniae 2024, Antwerp

~ Andrew Benson-Wilson

Laus Polyphoniae 2024
“VOX\VOCES, monophonic\polyphonic”
Antwerp, Flanders
23 August – 1 September 2024


Antwerp’s annual Laus Polyphoniae festival, as the name suggests, is devoted to music from the late Middle Ages and Renaissance, a period when polyphony was paramount. This year’s festival had the banner of VOX\VOCES, monophonic\polyphonic reflecting an investigation of links between monophonic and polyphonic music during the period. As usual, it was organised by AMUZ (Flanders Festival Antwerp) from its base centred around the baroque St. Augustine Church in the centre of Antwerp. An introductory essay to the festival and clickable details of all the events can be found here. The festival lasted for 11 days, but I was only able to review the first four days. which included the International Young Artist’s Presentation (IYAP) on the first Saturday, reviewed here.

Continue reading →

Basevi Codex

~ Andrew Benson-Wilson

Basevi Codex
Music At the Court of Margaret of Austria
Dorothee Mields, Boreas Quartett Bremen
AUDITE 97.783. 61’30


What a beautiful recording. Outstanding singing from Dorothee Mields, exquisitely delicate recorder playing from the Boreas Quartett Bremen, fascinating early 16th-century music from a little-known source, and an insight into the musical world of the Burgundian court in Mechelen. Despite a lovely back story to the CD and the music, this is one of those recordings that you can just lie back and listen to for sheer musical pleasure. If relaxed wafting is not for you, read on for more background.

Continue reading →