Prom 37: L’Enfance du Christ

Prom 37. Berlioz: L’Enfance du Christ
Halle Orchestra, Maxime Pascal
Britten Sinfonia Voices, Genesis Sixteen
Royal Albert Hall, 14 August 2019

L’Enfance du Christ is a curious work to programme in the vast space of the Royal Albert Hall for a Berlioz anniversary Prom. The gently reflective nature of the unfolding story seems to demand a sense of intimacy, whereas works such as the Te Deum cry out for such a setting. The genesis of L’Enfance du Christ is a fascinating one. Berlioz wrote a tiny organ piece into an architect’s album during a card-playing party in 1850. Realising the nature of his creation, he immediately added some words and gave birth to the famous ‘Shepherds’ Farewell’ (L’adieu des bergers). He added it to his next concert with a hoax billing as by a forgotten 17th-century composer, named after the architect who asked for the little musical momento. Four years later, it would later form the centre-point of what he termed a ‘sacred trilogy’ – L’Enfance du Christ, a three-section oratorio. Continue reading

Candlelit Arcangelo

Arcangelo & Neal Davies
Sam Wanamaker Playhouse, 9 May 2015

Bach, Albinoni, Telemann

The latest of the candlelit concerts in the Shakespeare Globe’s Sam Wanamaker Playhouse was given by Arcangelo (9 May). They were founded in 2010 by Jonathan Cohen, and appear in formats ranging from a duo to a chamber orchestra. On this occasion they were a small string group plus oboe, theorbo, and continuo organ/harpsichord, joined at the end by baritone Neal Davis (replacing his indisposed cousin Iestyn Davies).

The programme was one of contrasts, ranging from the frolics of Telemann’s Don Quichotte Suite to Bach’s serene cantata Ich habe genug. The size of Continue reading