AAM: Charpentier’s Actéon & Rameau’s Pygmalion

Charpentier’s Actéon & Rameau’s Pygmalion
Academy of Ancient Music, Laurence Cummings

Anna Dennis, Rachel Redmond, Katie Bray, Thomas Walker
Milton Court, 9 October 2024

François Clouet: Bath of Diana (1558)

The Academy of Ancient Music opened its 2024/25 season, under the banner of Transformation, with a concert performance double-bill of French Baroque ‘operas’ or, more exactly, a Pastorale en musique and an Acte de ballet – Marc-Antoine Charpentier’s Actéon and Jean-Philippe Rameau’s Pygmalion. I am following those irritating promotional videos that encourage you to stay tuned until the end by urging you to read this review through to the end – this concert ended with one of the most extraordinary examples of musical professionalism and skill from the AAM’s musical director, Laurence Cummings, recently and deservedly appointed as an OBE.

Continue reading

Bach: St Matthew Passion

Bach: St Matthew Passion
English Touring Opera
Temple Church, London. 18 October 2018

English Touring Opera (ETO) is an ambitious organisation that run extensive annual tours of staged operas around the UK, alongside one-off projects like their current adaptation of Bach’s St Matthew Passion. They start their tours in London, usually at the Hackney Empire, where they have just staged Radamisto and a triple-bill of Dido and Aeneas, Carissimi’s Jonas, and Gesualdo madrigals. Details of their current tour can be found here. For the Matthew Passion, as in previous such projects, they enrol local amateur choirs, community groups, and schools. For their London performance, these were the Collegium Musicum of London Chamber Choir (whose musical director is assistant organist at The Temple Church) and an almost exclusively female flock of children from the Holy Trinity and Saint Silas Church of England Primary School in Camden. The orchestra was the professional period instrument Old Street Band. Continue reading