Linarol Consort: La la hö hö

La la hö hö
Sixteenth-century viol music for the richest man in the world

The Linarol Consort
Inventa Records INV1005. 67’26

It is not known whether the ‘richest man in the world’, the merchant and banker to the Hapsburgs, Jakob Fugger of Augsburg (aka ‘Fugger the Rich’), actually commissioned the manuscript recorded here, as suggested by David Hatcher’s programme notes. But it was certainly in the Fugger library soon after its completion around 1535. That was ten years after Jacob’s death when his nephew Anton Fugger was head of the family and was probably also the ‘richest man in the world’. Following the reduction in the Fugger family’s power in the mid-17th century, their vast library was sold to Emperor Ferdinand where it became the foundation of the National Library of Austria. The manuscript (Vienna Ms. 18-810) contains 86 pieces of German, Flemish and French pieces, mostly by composers such as Heinrich Isaac, Ludwig Senfl and Paul Hofhaimer, linked to the court of Maximillian I, together with Pierre de la Rue and Josquin des Prez, favourites of his daughter Marguerite of Austria, then ruler of The Netherlands.

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Byrd 1588

Byrd 1588
Psalmes, Sonets & Songs of sadnes and pietie
Alamire, Fretwork, David Skinner
Inventa Records INV1006. 2CDs, 78’54 + 78’20


The 1588 Psalmes, Sonets, & songs of sadnes and pietie was William Byrd’s first solo publication after the Cantiones Sacrae of 1575, a joint venture with Thomas Tallis. This recording is also a joint venture between the chamber choir Alamire and the viol consort Fretwork. It was recorded, appropriately, in the isolated church of All Saints’ Church, Holdenby, in Northamptonshire, the only surviving relic of a village that was moved by Sir Christopher Hatton, Elizabeth I’s Lord Chancellor and the patron of the 1588 collection, when he built (in 1583) the nearby Holdenby House, itself now reduced to a few remnants from its initial grandeur as one of the largest houses in the country.

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Inviolata: Josquin des Prez

Inviolata
Marian motets by Josquin des Prez,
intabulated for solo lute or vihuela by lutenist-composers old and new
Jacob Heringman, lute & vihuela
Inventa Records, INV1004. 65’07

Inviolata, integra et casta es; Missa de Beata Virgine; Salve Regina;
Ut Phoebi radiis/Ut re mi fa sol la; Stabat Mater

Jacob Heringman follows his pioneering 2020 recording of lute intabulations by Josquin des Prez with a new album of arrangements for lute and vihuela arranged by Hans Gerle, Alonso Mudarra, Enríquez de Valderrábano, Hans Neusidler, Simon Gintzler, composers of Josquin’s time, and Herringman himself. It is a fitting contribution to the 2021 500th anniversary of Josquin’s death.

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